How does one walk away from something like the Holocaust?
When unspeakable events occur, what do the survivors do afterward? There is no
real answer to these questions, but it is rarely an easy thing to do. The
psychological strains of being a survivor are illustrated in Art Spiegelman’s
graphic novel Maus, in which Art
details his father’s experiences during the Holocaust and its subsequent
effects on their relationship.
Art does not have the best relationship with his parents,
Vladek and Anja. Readers learn that Anja had committed suicide before the start
of the novel. She appears to have suffered from clinical depression, judging
from a stint in a mental institution before the war after having a breakdown
and her language about life and her weariness towards it throughout the novel.
Readers also learn that Vladek and Anja had a son named Richieu that did not
survive the war because of an easily preventable wrong decision on their parts.
Most of Vladek and Anja’s families were then exterminated in the camps. By the
start of the novel, Vladek has lost most of the people he held dear in his
life. He had remarried another Holocaust survivor named Mala after Anja’s death,
who leaves halfway through because she cannot stand his stinginess. Vladek is
characterized by being very tight-fisted with money and “radiating tension.”
Scenes featuring him are often very tense as he makes those that he loves
around him uncomfortable with his rather overbearing ways. His staggering
thriftiness seems to be a holdover from the war, where saving any little thing
could mean the difference between life and death. These characteristics about
Vladek suggest that his experiences during the Holocaust have left him with a
sense that those who love him are going to betray him, as so many of the ones
he cared about were either killed or left. This prevents him from fully
allowing himself to be loved or get to close to people like Art and Mala. Art
remarks that he feels incredibly guilty being the son of Holocaust survivors,
as his life was so much easier than theirs. The graphic novel format is optimal
for getting the full effect of Vladek and Art’s relationship as the reader is
able to see expressions and body language along with the characters. It softens
the image of a rather discomforting and tragic relationship, and helps the
reader to maintain a proper sense of empathy for both Vladek and Art.
I agree that the illustrations give the reader a lot more insight on how exactly the story is meant to be told. Though that seems obvious because that is what pictures do, give a visual representation of a single moment in time, it is still an important aspect to consider when learning about Maus as a literary work. It is like people say, "A picture is worth a thousand words". This is most likely why Spiegelman decided to execute his story in that manner. He did not want to leave too much for the imagination so that he could convey the clearest message that he possibly could about the Holocaust. He wanted to be able to truly say that he gave his best try at telling a true war story.
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